ABOUT
Patrick Ecclesine is an award-winning photographer born and raised in Los Angeles. He's shot over 100 publicity and advertising campaigns for the film and television industry and is a frequent contributor to Vanity Fair Magazine.
The music video he directed for Demi Lovato “Stone Cold” has over 200 million views.
Patrick has spent the past three winters surfing the North Shore of Maui, where he lived during the pandemic and learned to write and to cook. These days you can find him atop Laurel Canyon living in a one hundred year old prohibition era party home that belonged to the original Tarzan, Johnny Weissmuller. There’s an old pickleball court on property, that Patrick frequently skateboards as he envisions himself surfing perfect waves.
CLIENTS
Vanity Fair, Warner Brothers, Paramount, Sony Pictures, Showtime, Dreamworks, Amblin Entertainment, Lionsgate, Universal, Lifetime, CNN, TNT, TBS, NBC, CBS, CW, A&E, FOX, Epix, Bloomberg, Leica, BMW, Honda Motorcycles, The Alzheimer's Foundation, Olson Advertising, Hewlitt Packard, Esquire Network and others.
BOOK / AWARDS / EXHIBITION
2020
Vanity Fair: Hollywood Calling – The Stars, the Parties, and the Powerbrokers. (The Annenberg, Century City, VF Group Exhibit)
2012
SLOW KISS - A Neo Noir Narrative told in Still Frames. (208 Pages by Go-Faster / Highwire Productions) Collaboration with Daniel Sackheim, Executive Producer of True Detective and director of Game of Thrones, The Walking Dead, Ozark, House, The Americans, Lie to Me, Better Call Saul, and The X Files.
Before Humans of New York there was…
2009
Faces of Sunset Boulevard – A Portrait of Los Angeles (225 Pages, Santa Monica Press)
The Top Photography Book of 2009 Shutterbug Magazine
Art & Design Award shared with Annie Leibovitz’s At Work to win Top Prize at the 2009 SCIBA Book Awards.
"Stark, startling color images represent a leap forward in social-documentary photography...one of the strongest statements about man’s dark fate in the West ever committed to paper.” —POP MATTERS
"Ecclesine's emphasis is on the people, not the street. And he's got an eye for a magazine-like, flattering beauty: Everyone glows.” —LOS ANGELES TIMES